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But Confucianism also grew out of the sense of a holistic and harmonious society and universe.Whether you like its kings or not, we all have to raise our wine glasses to the Shang Dynasty.

But in Chinese gardens and landscape paintings, all domains are interwoven.As the bronzes circulated in China, they helped give the land a common culture which included a shared way of seeing the world.It was elitist–the rich made these things and used them to link their authority with the power of spirits.It’s also thought that positive and optimistic people live healthier lifestyles – they get more physical activity, follow a healthier diet, and have reduced rates of smoking and alcohol consumption.One thousand years before the Shang Dyansty’s capital, Zhengzhou, was bustling, the ancient Egyptians built the pyramids and the Sphinx at Giza.The glories of Chinese gardening and landscape painting are also based on flows of holistic energies.

The above shot (from the White Horse Temple in Luoyang) is very different from the picture from Giza.

Scenes later became more realistic, but a thing that beautified Greek ceramics in early and mature periods was the emphasis on abstract lines which distinguished areas on the vases.

Painters partitioned ceramics into clear horizontal bands which covered the whole surface.

Stone has been a hallmark of permanence in the West, and its use in pyramids and Greek temples has made their clear lines seem so permanent that they’re the basis of reality.

When ritual bronzes circulated between states in China, they seemed like unifiers of the world and cosmos to a greater extent than they would have in the West.

Both of these civs developed art that keeps the perspective focused on individual objects that stand out from their surroundings.